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This great star appeared in an Esther Eng film in 1941. Who was he? ( SEE BELOW) |
ESTHER ENG FILMOGRAPHY |
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YEAR of release |
TITLE |
COUNTRY OF ORIGIN |
1936 |
Heartaches (aka, Sum Hun) |
U.S.A. |
1937 |
National Heroine |
HONG KONG |
1938 |
100,000 Lovers |
HONG KONG |
1938 |
Tragic Love (aka, Jealousy) |
HONG KONG |
1938 |
A Night of Romance, A Lifetime of Regret |
HONG KONG |
1939 |
It's a Women's World |
HONG KONG |
1941 |
Golden Gate Girl |
U.S.A. |
1947 |
Blue Jade |
U.S.A. |
1948 |
Back Street (aka, Too Late for Springtime) |
U.S.A. |
1949 |
Mad Fire, Mad Love |
U.S.A. |
1961 |
Murder in New York Chinatown (directing NY sequences only - main director: Wu Pang) |
HONG KONG/U.S.A. |
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SEE BELOW |
THE DIRECTOR/PRODUCER In 1935, at the age of 20, Esther rented a small studio (in "Sunset
Boulevard" per one report) to realise her dream of making mainstream American movies starring Chinese actors. In 1935, her father, Ng Yu-jat, a well-to-do merchant, enabled his daughter to produce her first film by setting up the
Gwong Ngai (Bright Art) company of which she was a core member. She co-produced - though did not direct - the company's first film, Sum Hun (Heartaches), which premiered in the US in early 1936 before going on to Hong Kong
in June. It starred the popular Cantonese opera actress, Wai Kim-fong, and was hailed as the "first Cantonese Singing-Talking Picture made in Hollywood".
Watch this space!
Copyright Frank Bren & Law Kar, 2001. Site enquiries via frankmondial@lycos.com
Photographs of Esther Eng and stills from her films are reproduced by kind permission of Esther's sister, Sally Ng Kam-ping (from her family collection), and Law Kar (from his private collection).
ESTHER ENG |